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10 Best jhs overdrive in Canada
- Best Choice01JHS Pedals
JHS Morning Glory Clean Overdrive
Main highlights- V4 engineering enhancements
- The power section runs on a ±9V dual supply
- The Morning Glory Clean gives you the stiffness and authority of a high-wattage amp at the edge of breakup — without the earplugs
- The Clean control uses a dual-gang potentiometer
- Clearer pick attack, improved low end, and more versatile gain stacking
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- 02JHS Pedals
JHS The Kilt V2 Overdrive and Fuzz Guitar Effects Pedal
Main highlights- When both toggles are down, you are in the lightest gain setting, amp-like chimney breakup
- G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones
- G1 flipped up adds a touch of drive for more riffy grit
- Compact and versatile tone-machine
- Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything
- 03JHS Pedals
JHS 3 Series Overdrive
Main highlights- The simple knob functions give you control over the Volume, Body (or EQ), and Drive
- The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player
- Runs on 9V DC Negative Center power and consumes 12mA
- Offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds
- Made in Kansas City USA
- Value for Money04JHS Pedals
JHS Morning Glory V4 Overdrive Guitar Effects Pedal
Main highlights- Tame the high end on brighter rigs with the side-mounted bright-cut switch
- Gain control sweeps from completely clean to rock ‘n’ roll
- Features increased headroom and output for use as a full-frequency boost
- Designed to be one of the most transparent overdrives out there
- Delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has
- Boosts a crunchy tone into thicker sustain and switches between two gain levels on the fly
- Adds mid- to low-level grit to your crystal-clean tone and tube-like touch response to a less-than-ideal amp
- 05JHS Pedals
JHS AT+ Andy Timmons Signature Overdrive Guitar Effects Pedal
Main highlights- This pedal offers soaring overdrive and distortion with plenty of options to craft your tone
- The three-way toggle gives you the feel of different wattage amplifiers
- The Volume control gives you plenty of headroom to play with
- The EQ works as a standard bright/dark tone control
- The Drive control has a wide range from high gain blues to thunderous distortion
- The Air control rolls in top end like a presence control for just the right amount of brightness for articulation and clarity
- The AT+ has an independent foot-switchable Boost, essentially creating a second channel and gain stage for the pedal
- 06JHS Pedals
JHS 3 Series Distortion
Main highlights- The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position
- The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics
- Runs on 9V DC Negative Center power and consumes 9mA
- Made in Kansas City USA
- A massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones
- 07JHS Pedals
JHS Pedals Overdrive Preamp, Black (OP)
Main highlights- We’ve also added a slider switch to this production version, which wasn’t included with the original DOD 250. While researching the #75 “Big Box” pedal, I acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself.
- This “Big Box V1” DOD 250 circuit definitely feels like a 250, but with a few changes: more gain/grit overall and more unique low/mids. This is a must-have addition to any DOD collector’s lineup, or for anyone who's curious about how it all started.
- The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap.
- The JHS Overdrive Preamp is a faithful replication of the unobtainable V1 of DOD’s most loved pedal
- The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive.
- 08BOSS
BOSS JB-2 Angry Drive Overdrive Guitar Pedal (JB-2)
Main highlights- Three dual-concentric knobs provide independent drive, tone, and level control for each overdrive type
- Mode selector for choosing individual overdrive types, two series connections for stacking, or parallel connection for unique new sounds
- Combines the voices of the bd-2 blues driver From BOSS and angry Charlie from jhs pedals
- Also includes a mode for toggling between BOSS and jhs overdrives with the built-in pedal switch
- All-new overdrive pedal with massive tonal range, jointly developed by BOSS and jhs pedals
- 09JHS Pedals
JHS Pedals 3 Series Screamer
Main highlights- You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response
- This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package
- This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide
- Runs on 9V DC negative center power and consumes 12mA
- Made in Kansas City USA
- 10JHS Pedals
JHS 3 Series Fuzz
Main highlights- Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones
- The perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up
- The Fat toggle engages a bass boost for an overall fatter, more powerful sound
- Runs on 9V DC Negative Center power and consumes 9mA
- Made in Kansas City USA
