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10 Best jhs overdrive in Canada
Best Choice01
JHS PedalsJHS Pedals OP Overdrive Preamp, Black
Main highlights- We’ve also added a slider switch to this production version, which wasn’t included with the original DOD 250. While researching the #75 “Big Box” pedal, I acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself.
- This “Big Box V1” DOD 250 circuit definitely feels like a 250, but with a few changes: more gain/grit overall and more unique low/mids. This is a must-have addition to any DOD collector’s lineup, or for anyone who's curious about how it all started.
- The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap.
- The JHS Overdrive Preamp is a faithful replication of the unobtainable V1 of DOD’s most loved pedal
- The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up “Gain” creates more clipping as it pushes the op-amp and hard clipping into overdrive.
9.9Exceptional
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- 02JHS Pedals
JHS Morning Glory Clean Overdrive
Main highlights- V4 engineering enhancements
- The power section runs on a ±9V dual supply
- The Morning Glory Clean gives you the stiffness and authority of a high-wattage amp at the edge of breakup — without the earplugs
- The Clean control uses a dual-gang potentiometer
- Clearer pick attack, improved low end, and more versatile gain stacking
9.7Exceptional
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- 03JHS Pedals
JHS Fumble Overdrive Pedal
Main highlights- Use as a permanent buffer and clean boost at the front of your board
- Three generations deep into one of the strangest chains of events in pedal history.
- Has two knobs, true bypass switching, and creates a particularly enhanced clean tone
- A JFET preamp lifted almost part for part from a Barcus Berry acoustic preamp made in the 1970s
9.5Excellent
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Value for Money04JHS PedalsJHS Pedals 3 Series Screamer
Main highlights- You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response
- This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package
- This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide
- Runs on 9V DC negative center power and consumes 12mA
- Made in Kansas City USA
9.4Excellent
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- 05
BOSS
BOSS JB-2 Angry Drive Overdrive Guitar Pedal (JB-2)
Main highlights- Three dual-concentric knobs provide independent drive, tone, and level control for each overdrive type
- Mode selector for choosing individual overdrive types, two series connections for stacking, or parallel connection for unique new sounds
- Combines the voices of the bd-2 blues driver From BOSS and angry Charlie from jhs pedals
- Also includes a mode for toggling between BOSS and jhs overdrives with the built-in pedal switch
- All-new overdrive pedal with massive tonal range, jointly developed by BOSS and jhs pedals
9.2Excellent
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- 06JHS Pedals
JHS Pedals 3 Series Phaser
Main highlights- Three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike
- Runs on 9V DC Negative Center power and consumes 70mA
- Made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail
- It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones
- A versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s
9.0Excellent
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- 07JOYO
JOYO Vintage Overdrive Guitar Pedal, Smooth Overdrive Tone with RC4558 Chip for Electric Guitar, True Bypass (JF-01)
8.9Very Good
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- 08
JHS Pedals
JHS Pedals Volture 9V Voltage Sag Utility
Main highlights- Though we developed it specifically for vintage fuzz circuits, the Volture will work on any fully analog pedal. In fact, you might be surprised by the trippy sounds you find lurking in your favorite overdrive or distortion.
- This pedal requires standard 9V DC negative power and consumes 12MA
- Simply place it in between your power supply and your pedal, and you can precisely trim the input voltage and perfectly replicate the tone of a dying battery
- Dimensions: 3.6" x 1.5" x 1"
- A modern day device for your vintage fuzz circuitry
8.6Very Good
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- 09JHS Pedals
JHS Pedals Packrat Distortion
Main highlights- When you choose one of the nine legendary or rare modes, you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift)
- The PackRat is the ultimate tribute to the 40+ years of rodent evolution and its impact on the guitar’s sound
- Power: Uses 9V DC Negative Center. Do not use more than 9V DC. Your warranty will be voided. 100mA max consumption
- Building on our Multi-Mode pedal series that includes the Muffuletta and Bonsai, the PackRat uses the same unique digital runway system to direct the paths of 261 components through 40 individual switches
- Artists from every genre have used the iconic tones in this unassuming black box to create their sounds
8.5Good
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- 10JOYO
JOYO 10-Band Graphic EQ Guitar & Bass Pedal, 31.25Hz-16kHz with Independent Volume & LED Sliders, True Bypass (Band Controller R-12)
Main highlights- VERSATILE TONE SCULPTING — FROM SUBTLE TWEAKS TO COMPLETE TRANSFORMATION: Use the Band Controller in your amp's FX loop to augment the built-in tone stack, place it before your overdrive pedals to shape your gain structure, or position it last in your chain as a master tone shaper. Scoop the mids for modern metal, boost the low-end for a fatter clean tone, or tame harsh frequencies from bright pickups. The neutral detent position ensures flat response when all sliders are centered.
- TRUE BYPASS & ROAD-READY R SERIES DESIGN: True bypass switching preserves your guitar's natural tone when the pedal is disengaged—zero tone coloration and zero signal degradation. Encased in a rugged aluminum alloy chassis (125×78.5×48mm, 316g), the Band Controller features the iconic R Series ambient LED lighting with 3 modes (Sync, Always On, or Off) via a recessed switch on the underside—giving your pedalboard a sleek turquoise glow. The sliders are smooth yet firm, holding their position even during transport.
- JOYO QUALITY & AFTER-SALES CONFIDENCE: Backed by JOYO's decade-plus reputation for crafting innovative, budget-friendly gear. Important: Powered by 9V DC adapter only (center negative, not included). Rated current: 30mA—unlike many competing 10-band EQs that require 18V, the Band Controller runs on standard 9V. No battery compartment. For the cleanest sound and to eliminate hum, use a regulated, isolated power supply and avoid daisy-chaining with high-current digital pedals. Should any issues arise—especially unexpected noise or a faulty slider—our dedicated support team is ready to assist through your Amazon order page.
- INDEPENDENT VOLUME CONTROL & LED-BACKLIT SLIDERS: The dedicated master Volume slider on the right side lets you adjust overall output level independently from your EQ settings—perfect for matching your bypassed signal or adding a clean boost for solos. Each of the 10 frequency sliders features a green LED indicator that lights up when the pedal is engaged, making it easy to see your exact settings on dark stages. Pro tip: For the quietest performance and to eliminate hum, use a regulated, isolated 9V power supply (not included)—many noise issues reported by users are resolved with proper power.
- 10-BAND GRAPHIC EQ — 31.25Hz TO 16kHz FOR GUITAR & BASS: The Band Controller delivers surgical tone-shaping power with ten precisely chosen frequency bands (31.25Hz, 62.5Hz, 125Hz, 250Hz, 500Hz, 1kHz, 2kHz, 4kHz, 8kHz, 16kHz)—covering everything from sub-bass rumble to sparkling treble air. Compatible with 4-string and 5-string bass, 6-string and 7-string guitar, and even synth rigs. Players describe the tone-sculpting power as "an absolute game changer" that can make a Les Paul sound like a Strat—or vice versa.
8.4Good
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